News Features
Chevy Volt Hybrid Concept Promotion
August 2007 As a member of the Amazing Sand Team we created a copy of the Chevy Volt Hybrid Concept at Kits Beach as part of a ceremonial unvieling to the public.

Metro Vancouver
Vimy Ridge Memorial rededication 2007
January 2007 Peter Vogelaar and I recreate the Vimy monument for a rededication ceremony in Winnipeg.
Here I am working on top of one of the two towers.

Winnipeg Free Press
Pacific National Exhibition 2005
August 2005 the Sandemons Sculpting Team with teammate David
Billings and Andrew Briggs at the Pacific National Exhibition in
Vancouver.
Here I am working on "The Fair" logo at the front of the roller coaster sculpture on a beautiful sunny day.
Well actually I am pretending to be working. There is a photographer and he wants my picture so I must make the most of it.

Vancouver Province
Winterlude 2005
February 2005 the BC Snow Sculpting Team with teammate Craig Mutch
at the Canadian Snow Sculpting Championships in Ottawa/Gatineau at
Jacques Cartier Park.
Here I am working on the lower portion of the sculpture on a beautiful sunny day.
Well sure I am at rest and posing but when there is a camera I must make the most of it.

Ottawa Citizen
Japan 2004
In February of 2004 as Team Captain of the Canadian Snow Sculpting
Team, "The Granular Media Group"
, along with Roger Chaisson and Donald Watt traveled to Nayoro, Japan.
To Participate in the Japan Cup International Snow Sculpture Contest.
We capture second prize with our piece "Patience".
Here we are starting out on the first day of the competition. Later we will be to the Onsen.
Nayoro is a small Northern City. The weather is moderate, and the snow is awesome.

Carnival de Quebec 2003
A small right up about the Quebec competition.

North
Vancouver Outlook
Carnival de Quebec 2003
A small right up about our return from the Quebec competition.

North
Vancouver Outlook
Silver Star Resort 2002
The 2002 BC Snow Sculpting Championships. Craig Mutch and I create Silver Czar. A story we made up that lent itself to our sculpting style. We placed First and also captured the peoples choice award.

CHBC interviews
Silver Star Resort 1991
1991 BC Snow Sculpting Championships. This was the first year and we were quite an attraction. We were not as prepared as we would be in later years. So we each took an area and did an abstract piece.

Vernon Morning Star
Troll's on the Beach
Pumpkin carving for charity fund raiser in White Rock.

White Rock News
Parksville Sand Castle days
This is from the first year of the reestablished contest at Parksville.

Oceanside Star
Dubai 1998
In the August of 1998 as part of the
Sandemons Sculpting Team
, I traveled to Dubai, in the United Arab Emirates.
August is
probably the hottest time of year to be in this part of the world.
Daily temperatures exceed fifty degrees celsius, and a more moderate 36
to 38 at night. We were invited to participate in Dubai Summer
Surprises, a summer shopping festival to draw tourists from the
surrounding area and beyond.
Because it is so hot people do not travel more then
they need. Dubai choose to try reversing this trend by inviting people
to shop in their
wonderful air conditioned malls and enjoy the other incredible
facilities
Dubai is a very moderate Arab state. Tourists are very
welcome and there is a surge of proposed development of resorts and
hotels.
While we were there we were featured in many news articles and broadcasts. Here are some of those.
Friday Magazine cover story.
Only the second time in this magazines history
that men have been on the cover.
The other was the Sheik.
The joy of building Sandscapes
By Henry JacobPict ures by Javed Nawab
Time and tide are not kind to sand castles, but there are people who still love to build them - as Dubai witnessed at Mamzar Park last week when, as part of the Dubai Summer Surprises calendar, one of the world's best sandsculpting teams demonstrated its mastery over the medium.

Sultans of sand... Craig Mutch, David Dureault, Murray Drummond, David Billings and Roger Chaisson. ©Gulf News.
August 7, 1998. It's a typical summer's day: sunny, humid, and not a
cloud in the sky. Suddenly, there is a roar of thunder... and it begins
to rain. The crowds on the beach are ecstatic – except for a band of
men who are busy constructing a palace, oblivious to the sound and
fury...
That was no natural phenomenon we were witnessing... just one of the
'Water Surprises', a part of the exciting Dubai Summer Surprises
festival. The 'rain' had been predicted well in advance, and the
hosing, to the accompaniment of thunderous blaring from loudspeakers,
was perfect. While the masses enjoyed the respite from the heat, at
Mamzar Park's Beach No. 4, in Dubai, the sand-sculptors raced against
time to finish their project: a replica of the old palace of H.H.
Sheikh Saeed Al Maktoum, in Dubai.
"We enjoyed the experience," says David Billings, the leader of the
team, Sandemons, which flew down from Canada at the invitation from
Dubai Municipality. Working on the project, manipulating 75 tons of
sand, meant sweating it out throughout the day, and well past midnight
- over three days, excluding the time for initial preparations.
"This palace is one of the more notable architectural pieces of Dubai that we recreated on a smaller scale," says Billings, team director of Sandemons since its inception in 1993. The main base form was an octagon, approximately 32 feet in diameter. There were eight sides, each 14 feet long. The 6-foot high palace had four wind towers and 100 windows. Says David Dureault, another member of the team: "The wooden base was just to hold the sand in. People thought we were going to cover the wood, and make something on the outside. What we actually did was fill the inside of the wooden base with sand. Then, we removed the prop and shaped the sand into the patterns we wanted."

The Palace they built from sand. ©Gulf News.
How did he plan to build the rooms? "There was actually no internal
structure to it," says Billings. "Only the outer structure was visible.
There were some things, such as the logs that go through the towers,
which we did not recreate as these are difficult to replicate in sand."
The implements the Sandemons used are quite interesting: a small
spatula for acrylic painting (also used for cutting fine lines); a
two-inch trowel (called a margin trowel in Canada); a pie trowel,
shaped like a piece of pie, to remove sand, a big trowel to take away
larger quantities of sand, and a flat shovel.
According to Billings, "most of the sand-sculpting teams in north
America, use wooden forms to fill the sand and water, and use dampers
to pound the sand. It is much the same way that concrete forms are
made. We have to make very sturdy forms that will stand up to the great
pressures of the sand and water inside."
If you try to sculpt loose sand, it will all fall away, says
Dureault. "The way sand is created, each piece is irregular in shape.
When you pound it with water, each grain of sand locks with the other.
And that is what makes a solid block."
The Sandemons were lucky enough to have the Dubai Municipality
supply them with desert sand, which is compact and stands up very
nicely.
According to Ashutosh Rawal, marketing manager for Classic
Events and Advertising, Dubai, "Sand-sculpting was part of a series of
events that we have been planning for Dubai and the UAE." Children, in
particular, felt a sense of achievement; they got a chance to receive
professional tips from one of the best teams in the world.
The sand-sculpting exhibition serves as an indicator that "we are
going back to the roots, back to the traditions of this country,
bringing sand, and art related to sand, to the mainstream of life. It
is a wonderful art."
Two to three years down the line, Classic Events plans to organize
an international sand-sculpting competition in Dubai, with attractive
prize money, and some of the best teams from around the world will be
participating.

Crowds at Mamzar Park watch young enthusiasts sculpting creations out of sand... fascinating spectacle. ©Gulf News.
Sand is a powerful medium, says Billings. "We feel it is probably
one of the better mediums. We can really express ourselves in this,
without being limited by what the material is." The Sandemons have
participated in many competitions and demonstrations throughout the
Pacific Northwest of Canada and the United Stat
es.
In 1997, the team came first, taking the People's Choice award at
the inaugural Castles in the Desert Competition in Kamloops, British
Columbia. The team will also be taking part in the World Championships
Sand-Sculpting Competition on September 9 at Harrison Hot Springs, B.C.
Shortly after that, the team "hopes" to break the world record for the
tallest man-made sand sculpture.
While the Sandemons compete at several events during the year, they
perform a great deal more for clients like McDonalds Canada and
Maritime Museum, Vancouver, designing and creating sculptures based on
conventional themes or product lines. They also work with children from
elementary schools, promoting understanding and the sharing of
friendships during the practice of sand-sculpture.
"Typically, a lot of sand-sculpting events are called sand-castle
competitions," adds Billings. "In the past, people built castles from
sand. Now, it has become much more creative. People have gone far
beyond castles."
What is so special about such exhibitions? "One of the real exciting
things is to see how people react to something this large being built
out of the sand, before their eyes."
"Normally, we do not do a lot of structures or replicas of
buildings," says Billings. "We do a lot of our own designs, which
include fantasy pieces with different things. We can build virtually
anything out of sand. It is our passion."
The Sandemons are also into snow-sculpting. For several years, they
have been the snow-carving champions of British Columbia. The Sandemons
were placed first, winning People's Choice at the B.C. Snow-Sculpting
Competition in six of the last seven contests.
In the past, the team has created dragons, castles, a dungeon-type
theme with people strapped to torture devices and animal scenes - "sort
of Walt Disney".
The 100th anniversary of sand-sculpting was celebrated last year in
Atlantic City. The oldest known photograph is of a man on the beach in
Atlantic City, sculpting an automobile with some people in it.
"Sand-sculpting is a fairly big thing in Canada," says Billings. "There
are three to four competitions in B.C. every year, with many
demonstrations throughout North America. When we are doing corporate
jobs, for example, in malls and so on, they want some specific ideas in
the piece, yet they will allow us creative freedom."

The lifegaurd at Mazar Park takes in another awesome sunset.
But what is the idea of building something that can be executed, and
destroyed, in no time? After all, how long does it take to destroy a
sand castle? Why labour over something that is so transitory?
"I think the aspect behind it," explains Billings, "is that we
get the enjoyment of being able to create something on such a massive
scale, with material that is readily available. Just being able to see
something that you have been able to create on the beach is
fascinating. You have to get used to the fact that, as a sculptor, your
piece may be there for ten minutes, or ten days, depending on what the
conditions are."
Like Billings, the other team members – Craig Mutch, Murray
Drummond, Roger Chaisson and Dureault - hail from British Columbia.
Murray Drummond, one of the founding members of the Sandemons, has been
doing snow and sand- sculptures for nine years, and has had a
fascination with sand since he was a child. "But, I never thought that
when I would be older, I would be doing this as a hobby. This is a
hobby for us still."
Drummond grew up on a farm in south-west Ontario. As a kid, he
loved to build trucks, cars and little cities. "I would build a city
out of sand, and then put my toys in the city and make them work." When
he was 12, Drummond built a 12-foot-high head of John Lennon in snow, a
feat that put him in the glare of the media. "It was all over the local
papers," he adds. Dubai is a beautiful place, he says, "beautiful city,
excellent people and HOT. The road network is beautiful, it is better
than ours in some places." Drummond moved to British Columbia in 1998,
after a five-year-stint as food and beverages manager at a resort in
the rocky mountains of Alberta.
Why was a name like Sandemons chosen? "All the teams," says
Drummond, "have names that relate to sand. There are teams with names
like Sandboxes and Sandscapes. We had to come up with a similar name,
and we came up with Sandemons - maybe because we are not evil!"
Khaleej Times

Khaleej Times